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Showing posts with label The Orientalist. Show all posts
Showing posts with label The Orientalist. Show all posts

Saturday, February 16, 2008

Herr Hitler's Master of Ceremonies

Sir Winston S. Churchill in his Nobel Prize winning "Memoirs of the Second World War" touches briefly on one of the most colourful people of the interbellum. Without context or further identification - we'll fill that in later - he mentions meeting one Putzi Hanfstaengl during the summer of 1932 while on a research trip for the purposes of his book "Life of Marlborough".


"At the Regina Hotel a gentleman introduced himself (...) and spoke a great deal about "the Fueher", with whom he appeared to be intimate. As he seemed to be a talkative fellow, speaking excellent English, I asked him to dine. (...) After dinner he went to the piano and played and sang many tunes and songs in such a remarkable style (...) He was a great entertainer (...) He said I ought to meet him (the Fuehrer), and that nothing would be easier to arrange. Herr Hitler came every day to the hotel about five o'clock, and would be very glad to see me."

Churchill is giving an account of his considerations, in the process giving us a lesson in patriotism, chivalry and tolerance. ]

"I had no national prejudices against Hitler at the time. I knew little of his doctrine or record and nothing of his character. I admire men who stand up for their country in defeat, even though I am on the other side. He had a perfect right to be a patriotic German if he chose. I always wanted England, Germany and France to be friends."

Then Churchill happened to pass a few adverse remarks, questioning Herr Hitler's "so violent views about the Jews," and the arrangement was stopped short from the German side. "This was the last I saw of 'Putzi' (...) Thus Hitler lost the only chance of seeing me."

Putzi Hanfstaengl resurfaces in another literary master piece. The joy of one of the best books I have come across in years could easily have been spoiled by the politically correct activities of the Dutch publishers who, for reasons best known to themselves, are marketing the book to an audience of multicultis, describing the protagonist as pleading for 'the multicultural society' and 'diversity'. This is a ludicrous notion in the context of the interbellum.

Perhaps such a philistine approach to marketing has occurred in other countries as well. The English language 2006 Random House Trade Edition I know for a fact to have escaped the addition of 'narrarives'. "The Orientalist" by Tom Reiss is not a piece of cheap propaganda for activists to exploit for their own purposes. It is a thoroughly and uniquely researched work that accounts hitherto less known historical and personal facts.

It is well written, and chronicles a fascinating and remarkable story, encompassing four empires, three continents, three religions, two revolutions and two world wars. I have already written about it on earlier occasions, in "History Class: of agit-prop, revolution and terror!". An episode during the early period of the advancing Nazi party, touches the surreal and the absurd in a truly hilarious manner. Reiss describes Putzi - "little squirt" in Bavarian dialect - as Hitler's Harvard educated Press Secretary, creative cheerleader and organiser of Hitler's Flying Circus ...

(...) "the fastest political tour in history, using trains, planes and automobiles to shuttle the führer around the country (...) a three-engine Lufthansa D 2001 and three long, black Mercedes saloons (...) raced together across Germany, with Hitler in the lead car, the top down, a leather flight helmet keeping his hair in place. (...) Hitler thrived on the crazy hours and the speed of it all. It was a political blitzkrieg. But the real show was in the air, when the candidate would descend on German cities (...). The sympathetic German papers took to calling these the Freedom Flights, and they contributed mightily to the growing myth of Hitler as Germany's 'dashing' savior - its redeeming angel from the skies, descending on all parts if the fatherland. (...)."

Churchill must have caught Hanfstaegnl in 1932 during one of the Flying Circus' political road tours. Unbeknownst to Churchill the entertainer's full name was Ernst Sedgwick Hanfstaengl, "mother a Sedgwick from the old New England family. (Two of his grandfathers had been Civil War generals; one of them, a German immigrant 48er, was a pallbearer at Abraham Lincoln's funeral.) (...) His father was one of the most prominent men in Munich in the late nineteenth century, and the Hanfstaengls had visitors such as Mark Twain, Richard Strauss, and Fridtjof Nanson, the famous arctic explorer and passport inventor, to their lavish villa. How on earth had this white-shoe boy gotten involved with a bunch of lower class, anti-Semite beer-hall politicians?" 

"Putzi was the Nazi movement's only Harvard man. Though a figure of fun among the hard-core Nazis - Putzi played 'Sam' to Hitler's Bogart, entertaining him at the end of the day with his piano playing - he was instrumental in making Nazism salonfähig (...) Hitler used Hanfstaengl's affable nature and white-shoe pedigree to forge many of his important links to German and American rich people (...) Putzi was the connection to old American, British and German families." 

In 1922 Putzi talks to a young American military attaché in Germany, Captain Truman-Smith, because "all the revolutionary nonsense down in Bavaria had the embassy concerned". "Putzi wrote in his 1957 memoir 'Unheard Witness' how Truman-Smith provides him with a Press ticket to a meeting with "the most remarkable fellow I've ever come across", Adolf Hitler. Truman-Smith requests him to have a look and report back. He heard Hitler speak at the Kindlkeller about Kemal Ataturk and the example of Mussolini, and ... joined the movement. "An inventive cheerleader for the Harvard football team, Putzi transferred that position to Hitler's Nazi entourage. 

(...) According to Putzi's memoir, he and Hitler were together at the house of the Nazi's semiofficial photographer, Heinrich Hoffmann, in Munich at the time:
I started playing some of the football marches I had picked up at Harvard. I explained to Hitler all the business about cheerleaders and marches, counter-marches and deliberate whipping up of hysterical enthusiasm. I told him about the thousands of spectators being made to roar Harvard, Harvard, Harvard, rah, rah, rah!" in unison and of the hypnotic effect of this sort of thing. I played him some of the Sousa marches and then my own Falarah [Putzi's contribution to the Harvard cheerleading repertoire], to show how it could be done by adapting German tunes, and gave them all that boyant beat so characteristic of American brass-band music. I had Hitler fairly shouting with enthusiasm. "That is it, Hanfstaengl, that is what we need for the movement, marvelous, and he pranced up and down the room like a drum majorette.
After that he had the SA band practicing the same thing. I even wrote a dozen marches or so myself over the course of the years, including the one that was played by the brown-shirt columns as they marched through the Brandenburger Tor on the day he took over power. (...) that is the origin of it and I suppose I must take my share of the blame. "

That summer (of 1932) saw daily gun battles between Nazis and Communists on the streets of Berlin. Christopher Isherwood, living in Berlin at the time, thought there was something false and ritualistic about the street fighting, as though both parties were in it mainly for publicity purposes.

"(...) There was no doubt that both sides (...) had an interest in breaking down public order and scaring everyone away from the center parties (...) a second round of national elections proved the extremists' violence making strategies effective: both Nazis and Communists gained at the expense of moderate parties (...)."

After the elections of November 1932 "even the pretense of fighting between the Nazis and Communists was dropped. It was time to deliver the coup de grâce to the bourgeois center - the German democracy (...) Communists and Nazis stood arm in arm, one shouting 'Red Front,' the other 'Heil Hitler!" (...) rows of low-rent housing hung with alternating rows of fluttering swastika and hammer-and-sickle flags." 

We forget the methods and purposes of terrorism and violence at our peril. Here's the news from Athens last weekend

- More excerpts from "The Orientalist" by Tom Reiss on the history of the two Socialist movements in future postings.

- Filed on Articles in History Compiled, cat. Terrorism


Friday, February 8, 2008

The German Revolution

The present is a review of an episode in "The Orientalist" by Tom Reiss, a thoroughly and uniquely researched work that accounts hitherto less known historical and personal facts. Set during the interbellum, it chronicles a fascinating and remarkable story, encompassing four empires, three continents, three religions, two revolutions and two world wars. Earlier posts were "History Class: of agit-prop, revolution and terror!"

On Monday, 11th November 1918, delegates from the new Social Democratic government of Germany officially signed the armistice, ending Germany's part in the Great War 1914-1918. The Kaiser moved to comfortable exile in The Netherlands.

But mob rule reigned Germany. Leftist leader Emil Eichhorn, self-appointed chief of the People's Revolutionary Berlin Police Department - personally freed 650 prisoners from police headquarters at the head of a mob. Others seized newspaper offices, government buildings, stores, and telegraph offices.

The demobilising army agreed not to oppose the government, in exchange for a free hand in quelling the revolutionary unrest. The government took the responsibility and the blame for the humiliating surrender, while simultaneously delegating political power - the state's monopoly of force - to Rightist officers.

As the army demobilised in Berlin, all moral constraint melted away. Here's an account of artist George Grosz: "The city was dark, cold and full of rumours. The streets were wild ravines haunted by murderers and cocaine peddlers ... People denied all knowledge but whispered about secret manoeuvres by the Black Reichswehr or a newly formed Red Army." Bursts of machine-gun fire and hand-grenade explosions were common. Grosz: "Inhabitants (...) went up on the roof to shoot pigeons and people. Their sense of proportion (...) got misplaced."

Three hundred people perished each day from influenza alone. Demobilised soldiers started selling their weapons on the streets. Those who held on to their arms followed their unit commanders into Mafia-style, loosely connected militias, known as the Freikorps (Free Corps), a proto type of the later Waffen SS, but originally consisting of volunteers in the Wars of Liberation against Napoleon in 1813-1815.

It was more than just the Red menace which motivated the Freikorps, their originators being the ancestors of all guerilla fighters and revolutionary insurgents of the next century. An even earlier connection identified them with the Teutonic Knights. They were anxious to prove themselves worthy of the medieval battles in the East against Poles and Tartars.

The Western powers restricted the German military, but motivated by fear of the Soviet revolutionary threat, refrained from disarming and restraining the Freikorps. In 1919 the Freikorps spontaneously and without orders moved against Poland, Lithuania and Latvia - the same countries the Nazis re-invaded in 1941.

Despite their symbolism and ancestry the Freikorps did not succeed in turning the tide of the Whites against the Reds and descended on a city in chaos, armed to the teeth, wreaking havoc on the new republic.

The revolutionary neighbourhoods were attacked without restraint. The front was brought to civilian society. This maintained the fantasy that the war had not really ended. Unarmed civilians had become the enemy. It "was a lesson in local brutality and cold-bloodedness that prepared many of them for work as storm troopers or concentration-camp guards in the years to come."

A footnote provides an important psycho-pathological context: "Many returning soldiers, no matter their political disposition, would display signs of sociopathy. Homicides and rapes became commonplace in postwar Berlin, brutal acts committed by men with no previous criminal record (...)"

"The panic evoked in Germany by the fate of Russia drove so deep into the psyche of ordinary Germans that they could not see that the forces of the new Right were equally hostile to bourgeois values like law, order and moral restraint. The Freikorps ethic, every bit as revolutionary as that of the Bolsheviks, masqueraded behind a false aura of conservatism and pacification.

Real conservatives believed in the value of traditions, but the Freikorps believed exactly the opposite - for them, the Great War had proved that the morality and social structure of peacetime were corrupt and meaningless. The politics behind the war had been a fraud, but the fighting had been real, and in this reality, the 'New Man' of the Right-wing revolution was born."

Author of 'Storm of Steel' and 'Battle As Inner Experience' Ernst Jünger hailed the 'storm soldier': "the coming of a whole new race, smart, strong and filled with will, to save Europe from its liberal delusions". "For this New Man, as for the Red revolutionaries, the legal and moral foundations of society were mere bourgeois squeamishness. At the front, only the fundamental values of bravery, ruthlessness, and camaraderie mattered - and the fundamental precept of Freikorps ideology: all society is the front."

The more the Freikorps suppressed the revolution, the faster it spread. Bolshevik cells and councils (Soviets) sprang up in towns and cities across Germany. The Munich Soviet was led by a former mental patient who wrote threatening letters to the Pope and declared war on Switzerland for failing to provide a shipment of locomotives.

In April 1919 the Bolshevik triumvirate led by Lenin associates made an attempt to launch Red Terror. Bourgeois and local aristocrats (every locale was supposed to have one, in the absence of which the village headmaster was supposed to volunteer) were jailed, property was confiscated, opposition presses smashed and schools shut down - "though this was not a real Red Terror but more of Red Terror manqué. But in the event of insufficient ruthlessness on the part of the German Left, the German Right was only too happy to fill the void."

The Freikorps attacked Munich as if it were a foreign city. The Reds held the town for three days, at the end of which more than a thousand were shot, including seminary students.

The next year saw a coup by Dr Kapp and General Ludendorf. According to an anecdote Corporal Hitler came too late to join it. The ousted Social Democratic government being unable to turn out the Freikorps against the Freikorps, called for a general strike. This succeeded, sending the putschists fleeing to Sweden, upon which the Spartacists raised a 80,000 strong 'Red Army of the Ruhr' in order to seize the mining and heavy industry in that area. The reinstated Social Democratic government retaliated by setting the Freikorps loose on Berlin. The Reds in the Ruhr were crushed.

"Finally, the major disturbances ended, though street battles and small uprisings continued to break out in towns across the fatherland. In the spring of 1921" as the protagonist of "The Orientalist" crossed the border into Germany, the country had fallen into uneasy quiet ...

- More excerpts from Tom Reiss' "The Orientalist" on the history of the two Socialist movements in next posts.

- Up next: Both Sir Winston S. Churchill in "Memoirs of the Second World War" and Tom Reiss' in "The Orientalist" touch on one of the most colourful people of the interbellum, Hitler's Master of Ceremonies.

- Filed on Articles in "History Compiled", cat. Culture, Art, History -

 
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